New Features Coming to Adobe Premiere Pro in 2022

Oct 26, 2021

Adobe has just released details regarding the latest features and innovations coming to Adobe's Premiere Pro. A new color grading tool called Auto Tone, will allow you to apply sophisticated color corrections in the Lumetri Color panel with a single click. Auto Tone adjustments are reflected in the Lumetri sliders so that you can fine-tune the results, or simply use Auto Tone to guide your color work as you become familiar with the Lumetri color correction tools. Additionally, Adobe is releasing three other very useful tools, read about them in this article from Digital Camera World.. https://www.digitalcameraworld.com/news/adobe-max-...

DFS, SpeedLooks and our intermediate VS-LOG process combined with our exclusive camera patch technology offers a total workflow solution for your color correction needs. Color by LookLabs … revolutionizing the digital production world, one image at a time, all with the click of a button. Visit looklabs.net to learn more.


The Look and Feel of Vintage Kodak

Jul 29, 2021

Kodak 5219 is a high-speed, tungsten-balanced film characterized by a fine grain structure, broad dynamic range, and the flexible nominal sensitivity of a 500-speed index. It has a wide exposure latitude with exceptional highlight control for working in a variety of lighting conditions, ranging from high-contrast outdoor lighting to mixed interior light situations. Advanced Dye Layering Technology (DLT) is also used to reduce the appearance of grain in the shadows for cleaner detailing and clarity. As part of the VISION3 series of film stocks, it has high archival stability and is well suited to digital post-production processes.

Films shot on Kodak Vision3 500T 5219 include; Once Upon a Time… in Hollywood (2019), Shoplifters (2018), Jackie (2018) Hail, Caesar! (2016), TV Series Mad Men (2007) and NSync: Bigger than Live (2001)

Check out the beauty of Kodak 5219 in this mini DFS sampler video.


Visit looklabs.net to learn more about SpeedLooks and the professional color finish you can achieve. DFS, SpeedLooks and our intermediate VS-LOG process combined with our exclusive camera patch technology offers a total workflow solution for your color correction needs. Color by LookLabs … revolutionizing the digital production world… one image at a time, all with the click of a button.

Color Grading Terminology - Knowing the Language

Jul 19, 2021

It pays to know what you are talking about and using the right terminology to avoid any misunderstanding or costly mistakes. Very often your customer has worked in other companies and grading suites so when he or she refers to a particular terminology, it’s important to know what they are referring to. What is gain, lift and gamma, color temperature, aspect ratio - can be confusing but knowing what each is will help you communicate with knowledge. This redsharknews.com article by Blake Jones breaks down the smoke and mirrors of color grading terminology and explains it in simple English. It's so worth the read if you are new to color grading. https://www.redsharknews.com/post-vfx/item/7057-ho...

DFS, SpeedLooks and our intermediate VS-LOG process combined with our exclusive camera patch technology offers a total workflow solution for your color correction needs. Color by LookLabs … revolutionizing the digital production world, one image at a time, all with the click of a button. Visit looklabs.net to learn more.



The Look and Feel of Fuji 64D

Jul 10, 2021

This low speed film offers exceptionally fine grain, wonderful sharpness, superior saturation and rich tonality all without excessive contrast. You get the most natural flesh-tones and super realism with Fuji 64D. Introduced in 1988, this Fuji stock was used to shoot Dead Man Down (2010), Promised Land (2012), The King’s Speech (2010) and Slumdog Millionaire (2008) to name but a few.

Check out the beauty of Fuji 64D in this mini DFS sampler video.


Visit looklabs.net to learn more about SpeedLooks and the professional color finish you can achieve. DFS, SpeedLooks and our intermediate VS-LOG process combined with our exclusive camera patch technology offers a total workflow solution for your color correction needs. Color by LookLabs … revolutionizing the digital production world… one image at a time, all with the click of a button.



MAC Color Management Tips for Resolve

Jul 6, 2021

Discover the best video settings for editing on your iMac or Macbook Pro when you are color grading your footage in Blackmagic Design’s DaVinci Resolve 17. When it comes to color grading on a Mac, knowing that what you see while editing is going to look the same when you output your video can be a little confusing, the reason being that Apple uses its own color management system that isn’t natively recognized in Davinci Resolve. But with the use of the correct tags and output settings, you can output accurate color for a majority of the people who view your content on the web. Check out this video from Craig Beckta and Daria Fissoun.


DFS, SpeedLooks and our intermediate VS-LOG process combined with our exclusive camera patch technology offers a total workflow solution for your color correction needs. Color by LookLabs … revolutionizing the digital production world, one image at a time, all with the click of a button. Visit looklabs.net to learn more.



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